“I don’t recognize myself in any musical current, even if I attend them all. I am faithful to one of them, but I have frequent and secret relationships with each of them “

Writing music today for me is not just “contamination”. Finding common lines between different languages, knowing how to synthesize different styles by choosing the essential and eliminating the superfluous, giving new semantics to sounds and harmonies requires extremely complex and tiring but also very stimulating intellectual work. And that’s what I try to do.

A music that manages to be, at the same time, complex and immediate listening, layered in its complexity yet immediately accessible, overcoming the duality between consonant and dissonant in the hidden intent to reveal the content to be communicated.